I just recently finished reading a book by Alain de Botton, "The Course of Love: A Novel." The book was an utter tear-jerking surprise.
To some, they might find the book boring because of the substantial commentaries scattered throughout the narrative. In this novel, De Botton introduces us to two misfits and rather well-drawn individualized characters, Rabih Khan and Kirsten McClelland, with distinct and separate backgrounds (he's half-Lebanese, half-German, she's Scottish, careers (he's an architect working in an urban design studio; she's a surveyor employed by Edinburg City Council) and personalities (she's confident and feisty; he's dreamy and insecure).
These characters might culturally different from me, but De Botton successfully made his characters so universal. Their experiences are so thoroughly ordinary that their lives seem emblematic, their stories interchangeable and relatable to so many couples out there. They met at work, fell in love, and decided to get married and start a family. Everything seems so romantic! According to De Botton, "
For the Romantic, it only the briefest of steps from a glimpse of a stranger to the formulation of a majestic and substantial conclusion: that he or she may constitute a comprehensive answer to the unspoken questions of existence."
This book shatters our pre-conceived ideals on marriage, "
To a shameful extent the charm of marriage boils down to how unpleasant it is to be alone." Rabih and Kirsten, having fallen deeply in love,
"will marry, they will suffer, they will frequently worry about money, they will have a girl first, then a boy, one of them will have an affair, there will be passages of boredom, they'll sometimes want to murder one another, and on few occasions to kill themselves. This will be a real love story."
So gone is the sugar-coating that is common to romance novels that I sometimes find sickening. The happily-ever-after compatibility envisioned by these two characters right after marriage is immediately dashed by silly, upsetting arguments over things like glassware to purchase at IKEA or the ideal room temperature for their bedroom at night.
We enter marriage as two individuals with all the history that shapes us and make us become the twisted adorable version of our present selves.
What I mainly find so compelling in the novel is the last chapter.
"Few in this world are ever simply nasty; those who hurt us are themselves in pain. The appropriate response is hence never cynicism nor aggression but, at the rare moments one can manage it, always love."
As I have my own shares of hurt and disappointments from my past, I particularly cried a lot when I read these lines: "We start off in childhood believing parents might have access to a superior kind of knowledge and experience. They look for a while, astonishingly competent. Our exaggerated esteem is touching but problematic, for it sets them up as the ultimate objects of blame when we gradually discover as they are flawed, sometimes unkind, in areas ignorant and utterly unable to save us from certain troubles. It can take a while, until the fourth decade or the final hospital scenes, for a more forgiving stance to emerge. Their new condition, frail and frightened, reveals in a compellingly physical way something which has always been true psychologically: that they are uncertain vulnerable creatures motivated more by anxiety, fear, a clumsy love, and unconscious compulsions that by godlike wisdom and moral clarity - and cannot, therefore, forever be held responsible for either their own shortcomings or our many disappointments."
And on marriage, De Botton claims that the Romantic ideals are a recipe for disaster. Readiness for marriage depends on whether we have given up on perfection.
"Pronouncing a lover "perfect" can only be a sign that we have failed to understand them. We can claim to have begun to know someone only when they have substantially disappointed us."
"Whomever we could meet would be radically imperfect: the stranger on the train, the old school acquaintance, the new friend online...Each of these, too, would be guaranteed to let us down. The facts of life have deformed all of our natures. No one among us has come through unscathed."
"The Course of Love" may be a story about marriage, and what makes the marriage stronger; however, I recommend the book to all who hopes to love and be loved in return or to anyone who wants to build an authentic relationship or to patch up old grudges. This book is about relationships, acceptance, betrayal, loyalty, and acceptance.
You can buy the book in Amazon.com.
https://www.amazon.com/Course-Love-Novel-Alain-Botton-ebook/dp/B0176M1AT4/ref=sr_1_1?ie=UTF8&qid=1489502428&sr=8-1&keywords=the+course+of+love+alain+de+botton